26 days until final output/mastering of Women's Studies.
Sound has been the name of the game recently. As mentioned before, Post Sound Supervisor Sean Russell and I have been recording ADR pretty much every night for the past two weeks. Yesterday was the last session, though we'll likely have to bring Cindy Marie Martin (Mary) back in for one more night of catch-up.
This week, Sean is editing all the ADR and production dialogue while also adding background ambiance to give verisimilitude to the scenes. Today, he's finishing his Foley spotting session, and will then begin recording Foley and adding sound effects which will take up the better part of the next ten days.
Over the weekend, I'll visit Composer Ryan Sayward and hear the Women's Studies soundtrack for the first time with the movie. I'll give notes and Ryan will spend another week making any creative adjustments needed. Then, Sean and Ryan will get together in the studio and add in the music. Once we all agree that the music, Foley, sound FX, and dialogue are all what we want, Sean will begin the final mixdown.
The energy is high because 26 days is a ridiculously short time to try and get all this done, especially with two people doing all the work. While everyone is a wee bit nervous, we're also very excited. It's starting to come together and isn't half bad either. The end is near, and that's the fuel keeping everyone moving.